Confronted with something beautiful, an ache deep inside springs up and begs me to ask myself: “Have you done your part in making the world more beautiful? Have you repaid the universe for all the beauty and meaning it has offered you? Have you done enough? Can love alone settle your debts?”
The world has given me endless beautiful things. What have I done to deserve it? What can I do now to deserve it? I know logically that perhaps there’s nothing I should, or can, do. But when something causes such a wealth of emotions, it is hard to just sit there.
This can be seen in any emotion. Beg yourself not to cry when you’re truly sad, not to laugh when you’re truly joyous, not to yell when you’re truly angry. It is impossible. I feel the same when I experience true beauty. But there is no obvious…
Join us FRIDAY JULY 6th & SATURDAY JULY 7th for a weekend of art, wine, music, drama, art history, music theory and more!
Reserve your seat for only $25 total cost. Call the gallery today. 707-255-2242
~ PROGRAM SUBJECT TO CHANGE ~
FRIDAY EVENING, 6 p.m. to 9 p.m.
Art, Wine & Music Reception
A reception in the gallery, with excellent wine, splendid art, and live music on the grand piano by a platinum-award winning composer.
We are pleased and honored to announce that platinum-award winning composer/music producer Mars Lasar will be joining us at the grand piano Friday evening.
Born in Germany, raised in Australia, Mars Lasar is a prolific keyboardist and composer. Mars started playing piano at 11 years old, and over a few years of extensive classical and jazz training, he rapidly became drawn to all kinds of music. At 14, Mars began composing, recording and publishing his own music professionally.
The lovely and talented Tori Anna Sophia, Napa Valley singer/songwriter, American Idol contestant, is scheduled to join us to share a sampling from her Doris Day repertoire. Tori Anna was the top female finisher in Michael Feinstein’s Great American Songbook Highschool Vocal competition in 2012.
Turn-of-the-Century Artist-Entrepreneurs: Saint Gaudens, MacMonnies, Parrish
Dianne Durante, PhD
“In the late 19th and early 20th century, the most capitalistic era in American history, it was considered normal that the immense popularity of Augustus Saint Gaudens, Frederick MacMonnies and Maxfield Parrish should earn them substantial wealth. MacMonnies’ annual income in the mid-1890s reputedly reached $300,000 (about $7.5 million today). In 1925, one of every four American homes had a print of Maxfield Parrish’s Daybreak.
“This lecture gives a brief overview of the life and notable works of Saint Gaudens, MacMonnies and Parrish, within the historical, political, economic and philosophical framework of the period between the Civil War and World War I. If you enjoy hearing about intelligent, hard-working, innovative, highly skilled and profit-minded men making piles of money by creating beautiful works of art, then this lecture is for you.”
Dianne Durante, PhD in Classical Philology, is an art historian, independent researcher, freelance writer, lecturer, and tour guide.
SATURDAY 1:00-2:30 p.m.
Music and the American Left ~ A Study in Subterfuge
“In 1943, Ayn Rand exposed the intensity with which the American Left sought to inject socialist propaganda into literature and film by observing, ‘In the last ten years, the Reds have done a good job of building up literary celebrities for their own purposes. … These celebrities then appear on Red committees, endorse Red causes, build up other Red names, and the racket works as the radicals’ best propaganda method. … Look how savagely they have defended the art field from all intrusions of conservatives. They know its value.’ But literature was not the only fine art which American leftists (supported spiritually, and often financially, by the Soviet Union) conspired to dominate, and the full story of how socialists worked from behind the scenes throughout the twentieth century to transform American classical music into an instrument of communist propaganda has never been told. In this presentation, the covert methods employed by statists to control this country’s concert artists, symphonies, opera, and even ballet companies will be explored with reference to specific case studies. Images and recorded excerpts will also be used to help illustrate the power of the philosophic ideas that govern the marketing of art—and their inevitable political consequences.”
Stephen Siek is a pianist, musicologist, and piano historian; former professor of music at Wittenberg University; author of England’s Piano Sage: The Life and Teachings of Tobias Matthay and A Dictionary for the Modern Pianist.
SATURDAY 3:00-4:30 p.m.
An Introduction and Discussion: What Music Is and Does
Based on the speaker’s monograph, which includes essays inspired by Objectivism on music. A brief overview of a theory of music esthetics, with time for interaction with the audience on issues of interest.
David Berry is the Professor of Music History, Theory and Composition at the School of the Arts/Petrie School of Music, Converse College
SATURDAY 7 p.m.
Wine Tasting & Education with winemaker Chris Daniel
Learn the nuances of wine tasting with a winemaker who makes Viognier, Rose of Cabernet Sauvignon, Syrah, Malbec, Cabernet Sauvignon, and Petit Syrah.
Smell, swirl, taste, and ask questions.
SATURDAY 7:45 p.m.
“An Uncomfortable Silence”
A short play written by Quent Cordair, performed by Hunter Schaufel & Elizabeth Brazil.
Elizabeth Brazil is an 18 year old singer, songwriter, and actress from Vacaville, California. She has been in over 15 productions at her Alma mater, Justin-Siena High school. Her favorite roll was Miss Adelaide in her senior year production of Guys and Dolls. She plans on pursuing her Broadway dreams in the fall and will be attending Marymount Manhattan College in the heart of New York City, New York.
Hunter Schaufel is a dedicated actor and recent graduate of Justin-Siena High School, where he studied and performed under the direction of James Thomas Bailey and vocal director Vivian McLaughlin. He has benefited, additionally, from five years of vocal instruction under Connie Lisec and foundational instruction in dance under choreographer and teacher Lisa Clark Schmeling. He recently received top marks in his acting exam administered by the London Academy of Music and Dramatic Art.Hunter looks forward to pursuing a career in product design and engineering, and is excited to begin classes as an undergraduate in the Georgia Institute of Technology’s mechanical engineering program in the fall.
SATURDAY 8:00 p.m.
A Program of Russian, German & American music
Stephen Siek, piano
Thomas Shoebotham, cello
David Berry, Composer & Commentator
American conductor and cellist Thomas Shoebotham performs the Bach Suite for Solo Cello #1. Equally at home on the concert stage and in the opera and ballet pit, Thomas Shoebotham conducts frequently with professional, community, and youth ensembles, collaborating with notable singers, dancers, and instrumentalists to bring “rousing, colorful” presentations to a variety of audiences.
Stephen Siek performs works for piano by Borodin, Scriabin, Reinagle, and a reprise of David Berry’s “Cordair Gallery” Suite, inspired by art in the gallery, first performed on the 2008 QCFA Arts Cruise.
Cordair Gallery: Suite for Piano by S. David Berry
Touching the Surface (Tom Seirak)
Henry’s Night Out (Quent Cordair)
Prometheus (Danielle Anjou)
Young Builder (Bryan Larsen)
Gaia’s Breath (Martin Eichinger)
The Anchorage (Bryan Larsen)
SUNDAY 10 a.m. Mimosas, coffee, delectable treats, and of course art!
Additional lodging can be found that weekend starting at approximately $160 per night (at the time of this post) at other area hotels and bed and breakfasts. Groups of friends might consider an AirBnB home rental.
Attendees will receive goodie bags filled with local coupons, dining information, and sightseeing options.
Let us know if you would like to explore Napa while you are here and we can connect you with delicious wine-tasting opportunities at some of our favorite places.
Check back for additional program updates, lodging, dining and sightseeing suggestions.
“The words always flowed though, somehow, as though they were hidden in some old dusty chamber of my mind, a treasure-chest of thoughts, connected, somehow, to my fingers -knowing exactly when I held a pen, or touched the keyboard- to come rolling down, like precious pearls and rubies, and be embedded in ink forever.
“Ah words– beautiful words; old words; heard words; forgotten words; dismissed words; loved words; lost words; new words; magical words; this word and that word… rushing out on paper to fulfill their destiny, to be read, to be heard, to be felt and to be honoured.
“Words can beautify the everyday ugliness, mask and sugarcoat the humdrum of routine, brighten the dull and silver the grey… Is there anything more exquisite?
“And that is precisely why the writer writes, robed in words, to be undressed by some insightful reader who beholds the raw, pure truth behind the veil of words, and loves it in all its ugliness, and all its eloquence; knowing every secret, and extracting every ounce of wisdom from it; knowing every fear, and taking heart from it; knowing every darkness, to believe in the light; and seeing every bit of reality, covered in fiction and sweet rhyme; for words connect souls, and it is only through words, that one can be vulnerable enough to be truly known, truly understood and truly loved….”
I read somewhere that one should never sit to write without an idea of what one is going to; yet ever since that really young age, when I began letting my demons out in ink, I always found myself venturing out on the journey of words without a predetermined thought, or a preconceived destination, or any clue as to what I was really on to… I do not know if that makes me a really brave or a really stupid writer- maybe both; the line is pretty thin anyway.
Maybe it was the smell of printed books, the exhilarating shuffling of pages, the feel of ink-stained fingers that goaded me on – the inner me, the core of my soul, always knowing what she was doing – I being just the physical channel.
The words always flowed though, somehow, as though they were hidden in some old dusty chamber…
A good blog post by the Hyacinth Girl, in which I’m quoted. It opens,
“Scrolling through my Twitter feed the other day, I came across this picture posted by the History in Pictures account. It’s a box of wedding rings found by liberators at a concentration camp in 1945. Each ring belonged to a person, and each person disappeared into the camps….”
Again comes the cry, again comes the mourn,
Clutched fingers in hair over flowers forlorn;
Candles all lit till the night wetly glows,
Coffins wrapped neatly in black satin bows.
Shadows beg mercy where mercy’s unknown,
Prayers and peace offerings all fruitlessly sown,
The desperately hoping more love will suffice
For those taking no less than blood sacrifice.
There’s left but one answer to those who love death,
Whose sword demands kneeling until the last breath,
Those blinded to reason, faith shrouding their eyes
Till torn from their skulls, their creed’s final prize.
There’s left but one choice, for those who love life,
In answer to those sworn to murder and strife:
When faith-deafened minds every argument shun,
When no word can turn what no logic has won,
When pleas have been met every time with a gun—
Swift granting of death is the deed sooner done.
Genesis is currently #17 in the Historical Literary Fiction category. “In the twilight of the Roman Empire, as the darkening forces of mysticism descend on Western Civilization, the daughter of itinerant traders is falling fast for a local boy—the apprentice and adopted son of a sculptor. The old master, concerned for the boy’s future, recalls his years as a younger man in bustling Alexandria, where he had found the love of his life before having to flee the threat of religious persecution. Now, having finally rebuilt his life and career in a village far away, an enemy from the past reappears, threatening all he holds dear….”